Saturday, 04 July 2009

  • A minor Blues, Chapter IV

    CHAPTER IV

    "But where were the black people? Ain't no town in the south, not today,
    not ever, that lacked a colored section, a shinetown. It was a good
    show, but Mayberry was a white man's fantasy, is all I'm sayin'."

    If one had to be arrested, there were worse places to do time than
    Audie's front porch, where the two new friends had settled after a fine
    dinner of red beans and rice, pork chops, and fresh-picked greens. The
    men had graduated to Kentucky bourbon, Jack's with a splash of water,
    Audie's darkened with cola. The current topic of discussion was one of
    many the two had started, one blending into the next.

    Sherry, Audie's wife, an ample and handsome woman, clearly enjoyed the
    company. Jack's presence was a respite from the emptiness of the nest
    since their only child, a son, had left for basic training a few weeks
    earlier. Of course Sherry had shown off his graduation photos. He was
    clearly a Boulware, maybe a little less stocky.

    They were sipping the whiskey, respectful of its power, enjoying its
    smoothness. Jack was feeling as good as he ever had, and suggested he
    might move to Euclidean, become Barney Fife to Audie's Sheriff Taylor,
    After his sentence was up, that is. Obviously, Audie had honed his
    opinion of the Andy Griffith Show over the years, and Jack's reference
    was his cue to deliver it.

    "I remember one episode," Jack replied, "That had a black guy in it."

    "Yeah, he was passin' through Mayberry, I remember that one. All I'd
    ever do in that cracker town". That seemed exceedingly funny to both
    men, and Sherry poked her head out the door to see what was so funny.
    She had changed clothes, and looked ready to go somewhere.

    Jack conceded. "Okay, you aren't Andy. I'm not Barney, and Sherry is
    much prettier than ol' Aunt Bea."

    "Well, you just come for dinner any time, handsome. Honey, we are still
    goin' to Leon's?" It was a question, and not, at the same time.

    "Yes, yes, my sweet magnolia." Audie's W.C. Fields was, though
    recognizable enough, atrocious. "Jack, for your benefit, I am initiating
    a program of rehabilitation, starting with some community service. You
    may find the following coupla' hours useful as background in your
    current endeavor as well."

    Jack was up for anything. "What have you got in mind? And, by the way,
    outside of hassling tourists, do you ever do any police work?"

    "Matter of fact, insolent one, this is an investigation in progress on
    which we will soon embark. "Leon Whittington, a cousin of Sherry's
    Momma, has been rumored to operate an unlicensed establishment, at which
    liquor is served in copious amounts, and people smoke, drink and dance
    with abandon." Audie heaved his bulk out of the rocker, slapped Jack on
    the shoulder and his wife on the rump as he walked past them into the
    house. "Go take a shower while I get my uniform on, you white people
    have a funny smell."
    ---------------------------------------------

    Steber11

    "This is a pre-fab home", Audie shouted into Jack's ear. "The owner
    finishes the interior after the builder erects the exterior and roofs
    it. I wish I could have seen the fellow's face when Leon asked him to
    save the sawdust."

    Jack chuckled appreciatively. All Leon had finished was the bar and the
    bathrooms, He had added no interior walls, just a post here and there to
    support the roof and the occasional patron. The bar ran most of the
    south side of the structure, stopping at the restrooms. The band was set
    up on a foot-high platform 10 foot deep and 15 foot wide. There was
    seating for 20-25 people, including the barstools, two of which Jack and
    Audie occupied. Sherry was at one of the tables with some girlfriends.
    The rest of the building's floor space was devoted to dancing, and one
    more person could not have been shoehorned onto it without committing
    an act of frottage. As it was, some of the dancers appeared to be
    flagrantly delicting without a thought as to who might care.

    "I wanna know how in the hell Leon got R.L. Burnside to play in his
    gin joint to begin with." Jack noticed, too late, that the music had
    stopped when he was halfway through the remark. Several faces turned in
    his direction, none white, none friendly. From the stage, R.L., one of
    the last of the Delta-style blues artists, spoke into his microphone.
    "Go on and tell him, Sheriff. It's okay deppity, I remember my first
    beer."

    Jack turned suitably red in the face, pointed at his drink, waved his
    hand as if swearing off booze forever. This got the crowd laughing with
    him, not at him anymore. From behind the bar, Leon said, "No one takes
    the pledge in my place of business.", and poured Jack another shot of
    Glenmorangie. People returned to their tables, forgot about the
    Sheriff's strange choice of drinking companions. "Besides", Leon
    continued, "I opened this bottle just for you, and I'll never get another
    customer with such distinguished taste in single-malts. It gets drunk
    tonight or I have to finish it before it goes stale."

    "Leon here did a stretch with RL, Jack. A long time ago. Mr. Burnside
    plays here when schedule and proximity allow."

    Jack was familiar with Burnsides' music. He also knew that the bluesman
    had done time for murder. He remembered a quote attributed to RL years
    after his release. "
    I didn't mean to kill nobody...I just meant to shoot
    the sonofabitch in the head. Him dying was between him and the Lord
    ."

    "Ten years my junior, and Leon here schooled me, kept me alive in that
    place." R L had come up behind Jack while Audie and Leon were talking.
    "Didn't even ask for no booty, not that he would've got any."

    "Shit, them hard boys din't ask, they took." This was Leon weighing in.
    The two old friends punched each other, fairly hard, too, and Leon made
    his way down the bar, filling some glasses, denying more to others whose
    bearers had clearly reached their limit.

    "Mr. Moonlight here is on Spoondog's trail, RL.", Sheriff Boulware
    informed him.

    RL cocked an eyebrow. "How many cemeteries have you checked out?"

    "One so far.", Jack answered. "I couldn't get permission to visit
    Cummins."

    "Can't say you want to, son. A bad place now, worse back in the day."
    Burnside paused, looked Jack through and through, measured him, and came
    to some internal decision. "You stayin' for the last set?", he asked.

    Jack looked at Audie, who nodded in the affirmative. "To serve and
    protect, Mr. Burnside."

    "I know someone who might know something. Come see me after the set, we
    can talk while the boys pack up." He looked at his watch. "Time to round
    up the band, gents. Get them to playin' for y'all, before they get too
    stoned and forget how." The elder Delta statesman shook Jack's hand,
    then Audie's, and headed for the back door. Jack watched him go,
    thrilled as a girl who got to kiss Elvis. He noticed a few people in the
    place looking at him, but when he made eye contact, they nodded or
    smiled. Getting chatted up by Leon, Boulware, and Burnside had earned
    him some cachet. It was a good feeling, a good night all around.

    Just then a man came up to Audie and told him there was a fight out in
    the front yard. Audie excused himself quickly. "Got po-lice work to do,
    Jack. Have fun, I may haveta take somebody to the hoosegow or the
    hospital."

    "I'll go with you", Jack offered.

    "No", Audie said over his shoulder. "Low profile, whitebread." And he
    strode out the door, shifting to cop mode as he went.

    Leon came over with the bottle, but Jack put his hand over his glass.
    Leon understood, he knew Jack was looking to lose his buzz so he wouldn't
    look a fool in front of RL later. He gave Jack a coke instead, and then
    went over to the bandstand. Leon pulled the mike close to his lips.
    "Ladies and Gentlemen. He's got time for one more set, and he promises
    you that it will be a doozy. Welcome back the Last of the Delta
    Bluesmen, Mr. R. L. Burnside and the Sound Machine!"

    The applause was quickly drowned out as The band struck up Burnside's
    best known song outside of Mississippi, "It's Bad, You Know", and
    couples began filing out onto the dance floor. Sherry walked over to
    Jack, grabbed him by the hand, and practically pulled him off the stool.
    "Looks like my date left me, handsome. Shall we dance?"

    "Sure thing, babe. I cut a mean moonwalk."

    "Don't you dare moonwalk, Mr. Moon-light." But she was laughing. They
    found a reasonably unpopulated space, and began to dance.
    The room was still spinning a bit. Jack was feeling good, just loose
    enough to get into the groove. Tentative at first, he watched the other
    dancers for pointers, and then went to work. Bobbing and weaving,
    counter-pointing Sherry's steps, he got a smile from RL as he sang,
    "My
    baby asked me why. I done went and tol'her. My baby asked me why..."

    When the song ended, they went straight into Willie Dixon's "Wang Dang
    Doodle". Some in the crowd just bobbed in time to the music, in front of
    the bandstand. They joined in when RL when got to the lines, "
    We gonna
    romp and stomp til midnight, we gonna fuss and fight til daylight
    ".

    Jack whooped, and did his Michael Jackson. He pulled it off, and Sherry
    laughed in spite of herself. She turned her back on Jack, and did a rump
    twitch that sent one cheek skyward, then the other. "You could beat a
    drum with that junk, lady.", Jack yelled in her ear.  The band slowed
    down the tempo with a song about a girl named Mattie. Leon cut in on
    Jack, took his cousin in his arms. Leon's barback, a girl named
    Coquetta, joined Jack, and they swayed in time. Jack could feel the
    sweat soaking through her shirt as his hand on her back guided them in a
    circle. After the song, she kissed his cheek and went back behind the
    bar. He was in love with her until another gal grabbed his arm, and the
    bassline to "Let My Baby Ride" got the sawdust on the floor to shaking.

    Audie walked back in. Jack saw dirt-stains and mud on his shirt, but
    Audie gave him a thumbs-up. Sherry went to her husband, visibly fussing
    over the mess. They conversed, and Audie let Jack know with hand signals
    that they would be back to get him after a change of clothes.

    The set ended with a medley from Burnside's "Ass Pocket Full of
    Whiskey
    " album. "This one is for my new friend Curious Jack," He
    announced, referring to Jack's faux pas earlier. Jack wasn't ready to
    stop boogeying, but too soon the music ended, the house lights
    brightened the room and Burnside was callingJack over. "Got a pen?",
    He asked the star-struck gumshoe. "Good. Let'sget in the van, turn up the
    air. Goddam, its hot."
    When Jack walked back in, the place was almost empty. Leon and Coquetta
    were cleaning up, and Jack had the first solid lead so far in the case.
    He jumped on a stool, Leon took the time to pour five fingers for Jack,
    who then proceeded to drink and chat up Coquetta until Audie yelled at
    him from the doorway. Coquetta gave what even a drunk would know was
    a "nice try" look, and he stumbled off towards the front door.

    In the car on the way back home, Audie was finishing up his story about
    turning a knife back on some drunken fool. He had waited for the
    ambulance to take the victim to County Hospital before he and Sherry
    came back for their guest.

    "Don't Leon ever get in trouble with the neighbors?"

    "Hell Jack, that was a slap fight, the shit outside of Leon's. "We
    weren't halfway to the house when I got the call about trouble at the
    honky-tonk 'cross town. "You crackers cut each other up more'n we do.
    Never did get my shirt changed, something a sober de-tective might have
    de-tected."He looked back in the rear seat. Jack had passed out.

    "Sherry, he throws up in my car, he's sleepin' on the lawn, hear me?"

     


     

Comments (13)

  • joiwinds

    This is one of those stories that I would read in one sitting no matter how long it took. It's easy to read and has me hooked! I can't wait to see how it turns out.

  • Lovegrove

    I had a book once. It had loads of words 'n stuff.

  • MelFamy

    @Lovegrove - I've heard that about books.

  • jsolberg

    Just following along here, tryin' to stay on the galloping horse. The picture is perfect. Reminds me of candids somebody shot once when I was house band at a joint called 'Patsy's' Had to forget everything I thought I knew previously about working a crowd.  'Grey people', we called 'em dismissively back in the day. The chatter here was different, as was the focus on the floor.. what you needed to pay attention to. Plus I admit I never figured out what to do when the cops came by: hang on one chord at low-volume worked... sometimes.

  • MelFamy

    @jsolberg - I should've thought to get your working musician's perspective before writing this chapter. My only experience with juke joints came one summer night when I was 19.  I stopped to help an old black man whose car had overheated. Reverend Henry(!) was grateful, and after we towed his car to an all-night service station, he took me to a house very much like the one in my story, except there was a juke box instead of a band, and a pool table where the only other white guy in the place was playing some serious pool. It was not a bar a white man could go into without a sponsor, lemme tellya. I was on my best behavior, but I had a good time. I played a Booker T & the MG's song I found on the Wurlitzer. Got a nod of approval. Yeah, people were watching to see what I would play. Voluptuous balck women were the only patrons that talked to me, and I was fine with that. I can't remember anything about the second place he took me, except the background music should have been Howlin' Wolf singing "that's evil, evil is going on...". He wanted to take me to third bar for a "real good time", but I chickened out.

  • ItsWhatEyeKnow

    I look farward to getting to know you and your writing.  I should probably back up and read this story from the beginning, which is my plan.  So I'll be back when time allows.  The first few sentences of this chatpter have me hooked.

  • MelFamy

    @ItsWhatEyeKnow - Glad to have you aboard. Guess I had better get to work on chapter 5.

  • TheBigShowAtUD

    ryc:  hey, man... that brand of wit is all i have.  ha.

  • MelFamy

    @TheBigShowAtUD - 32 freaking recs!! You are successful beyond my wildest dreams. And they are deserved. I always enjoy reading your posts.

  • godfatherofgreenbay

    Very good...you know that first paragraph really made me think.  I don't think in the entire run of The Andy Griffith Show there were any African Americans.

  • MelFamy

    @godfatherofgreenbay -  The Andy Griffith Show was no more or less guilty of misrepresenting life in America than any other sit-com of the era. Ozzie and Harriet slept in different beds, as did most married couple on sit-coms.


    The first show to have a recurring black character who was not a sterotype was "Car 54, Where Are You?", which featured Nipsey Russell as a cop.


    But I still love those old shows, whether or not they were socially accurate or not. Andy and friends could make an entire scene out of sitting quietly on the porch after supper, and make it interesting and funny without resorting to insults and putdowns. The writing was better on sitcoms back then. Only of late have shows like "Scrubs" and "My Name is Earl" equalled the quality of those glorious days.


    Excuse me, I have to get my rifle ready. Gonna go out this morning and shoot a couple of billiards.

  • godfatherofgreenbay

    I think the first couple to be seen in bed together was Fred and Wilma Flintstone and then the first "human" couple in bed together was Herman and Lily Munster.

    I always remember working with a die-hard racist who always said that when he was a kid and watched The Jetsons it always made him hopeful for the future because there would be no blacks.

    You know, shooting some billiards sounds good.  I just need to clean up the tables and the passing sticks.

  • MelFamy

    @godfatherofgreenbay - That is funny about the Jetsons. I hope your former co-worker has changed his attitude, as it looks like Caucasians will be the minority in Tomorrowland..


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